One of the types of jobs I really love - invisible VFX where you can’t really tell anything was done at all. You could imagine shooting in a maze of mirrors meant there was a whole lot of cleanup to remove crew, camera rigs and even fingerprints. While most of the shots are primarily live action, I’ve augmented many of them with additional CG mirrors, added extra pavement, set extensions and the wide shot is almost completely CG, including the car.
Editorial
Editing Company: The Whitehouse
Editor: Martin Leroy
Edit Assist: Joe Walton
VFX & Design
VFX & Design: The Mill
Executive Producer: Ian Berry
VFX Producer: Tom Manton
Shoot Supervisor: Pete Rypstra
2D Lead Artist: Pete Rypstra
3D Lead Artist: Dave Fleet
2D Artists: Joe Tang, Jeanette Eiterenes, George Cressey
3D Artists: Dan Moller, Paul Donnellan
Agency
Agency: The Blue Hive
Producer: Susie Innes, Romila Sanassy
Creative Director: Serge Pennings
Creative: Peter Hvid
Account Director: Niall Hutchinson
Production
Production Company: @Radical.Media
Director: Bruce Hunt
Executive Producer: Ben Schneider
Producer: Ivana Bohuslavova
Colour
Colour: The Mill
Colourist: Mick Vincent